Our favorite (non-Italian) architecture magazine is without a doubt ARCHITECTURAL DESIGN. Behind its very sexy cover, it paints the portrait of "Invisible London". Their point is that London is not just a juxtaposition of buildings but is actually made of people, urban and rural neighborhoods, transportation, and activist groups of all kinds who want to make it a better place. This issue also has DOMES EVERYWHERE! From inflatable structres for people that want to live off the grid, to shelters for victims of earthquakes in Türkiye… and even an ad for DOMEBOOK 2, which you can see at the bookstore (ask…
Read more
Our favorite (non-Italian) architecture magazine is without a doubt ARCHITECTURAL DESIGN. Behind its very sexy cover, it paints the portrait of "Invisible London". Their point is that London is not just a juxtaposition of buildings but is actually made of people, urban and rural neighborhoods, transportation, and activist groups of all kinds who want to make it a better place.
This issue also has DOMES EVERYWHERE! From inflatable structres for people that want to live off the grid, to shelters for victims of earthquakes in Türkiye… and even an ad for DOMEBOOK 2, which you can see at the bookstore (ask us).
In the early 1970s, the British magazine AD / Architectural Design emerged as one of the most experimental and intellectually daring architecture magazines in the world. Unlike its more conventional peers (including the one sharing its initials), AD embraced avant-garde theory, speculative design, and radical thought during a time of deep architectural transformation. It became a key platform for emerging discourses on postmodernism, utopian urbanism, systems theory, and technological futurism. More than documenting buildings, AD was a lab for ideas exploring architecture’s role in improving quality of life, diversity, integration, and sustainability.
Under editor Monica Pidgeon, and with guest editors like Peter Cook, Reyner Banham, Cedric Price, and Charles Jencks, AD became a space where architecture, art, and philosophy collided. The influence of Archigram, cybernetics, Pop Art, and semiotics gave the magazine a bold interdisciplinary voice. It raised radical questions about cities, housing, industrial form, and media’s impact on space. Though not overtly political, its engagement with these themes justifies its inclusion in this exhibition.
Visually, AD in the 1970s was bold and unmistakable. Covers combined photography, hand-drawn art, and color blocks. Inside, dense texts met speculative illustrations and striking diagrams. Inflatable modules! Plastics! Typography! Every page carried visual markers of its decade. The design echoed the content: provocative, challenging, and far from modernist minimalism. Each issue focused on a single theme (such as “High-Tech Architecture” or “The Architecture of Pop”) opening space to fringe and emerging ideas. AD became a global hub for avant-garde architectural thinking.
Format: 23x28cm, 46 pages.
Color cover + sparse use of color on inside pages.
Condition: very good.
